The film follows Blake Lovell (Christopher Abbott), a family man who travels to his childhood home located in the remote wilderness of Oregon. After his father, Grady (Sam Jaeger), is officially pronounced dead after disappearing in the forest years ago,

Leigh Whannell's new "Wolf Man" film stars Christopher Abbott and Julia Garner, and it's filled with twists and turns.

Film Review, a movie directed by Leigh Whannell, written by Corbett Tuck and Leigh Whannell and starring Julia Garner

The Invisible Man’ director Leigh Whannell transforms the ‘Wolf Man’ into a story of a guy trying to avoid turning into his father.

“Wolf Man” tells the story of Blake Lovell (Christopher Abbott), his wife Charlotte (Julia Garner) and their daughter Ginger (Matilda Firth) as they journey from New York City to the wilderness of Oregon to clean out Blake’s father’s house after he passes away.

Since two new releases made about $11 million each at the domestic box office this past weekend, and since I don’t have much to say about either movie, I’ve decided

The opening scene of the Wolf Man reboot is tense, atmospheric, and mysterious. It writes a check that the rest of the movie can't cash.

By Bob GarverSince two new releases made about $11 million each at the domestic box office this past weekend, and since I don’t have much to say about either movie, I’ve decided to throw them both a quick review.

With the broad strokes of a great setting, solid acting, and quality direction, an audience will find Wolf Man to be time well spent.

The post Sam Jaeger on Transforming for Wolf Man and the Final Season of The Handmaid’s Tale: Podcast appeared first on Consequence. Jaeger also touched on wrapping The Handmaid’s Tale ...

A concept artist who worked on Leigh Whannell's Wolf Man has unveiled some of his alternate designs for the titular monster. Are they better, or worse? Have a look and let us

Wolf Man indulges in one of the most overused horror references in the genre's long history, but for once the nod actually makes sense here.